Anne Dudley b. 20 Mar 1612 Northampton, Northhamptonshire, England d. 16 Sep 1672 Andover, Essex County, Massachusetts

1612 - 1672 (60 years)

Name	Anne Dudley [1]
Born	20 Mar 1612	Northampton, Northhamptonshire, England [1]
Gender	Female
Immigration	1630	Massachusetts Bay Colony [1]
	in the Winthrop Fleet
Occupation	Poet [1]
Died	16 Sep 1672	Andover, Essex County, Massachusetts [1]
	Cause: consumption or tuberculosis
Buried	Old Burying Ground, Andover, Essex County, Massachusetts [1]
Person ID	I22423	Jerry Milo Johnson
Last Modified	29 Mar 2015

Father	Thomas Dudley, b. 12 Oct 1576, Yardley Hastings, Northhampton, England , d. 31 Jul 1653, Roxbury, Suffolk County, Massachusetts (Age 76 years)
Relationship	Natural
Mother	Dorothy Yorke, b. 25 Apr 1582, Hardingston, Northhamtonshire, England , d. 27 Dec 1643, Roxbury, Suffolk County, Massachusetts (Age 61 years)
Relationship	Natural
Married	25 Apr 1603	Cotton End, Bedford, Bedfordshire, England [1]
Family ID	F8017	Group Sheet \| Family Chart

Family Simon Bradstreet, b. 18 Mar 1603, Horbling, Lincolnshire, England , d. 27 Mar 1697, Salem, Essex County, Massachusetts (Age 94 years)

Married 1628 Northampton, England [1]

Children

	1. Simon Bradstreet, b. 1640, d. 1684 (Age 44 years) [Natural]
	2. Samuel Bradstreet, b. 1632, d. 1682 (Age 50 years) [Natural]
	3. Dorothy Bradstreet, b. 1634, d. 1672 (Age 38 years) [Natural]
	4. Sarah Bradstreet, b. 1636, d. 1704 (Age 68 years) [Natural]
	5. Mercy Bradstreet, b. 1647, Andover, Essex County, Massachusetts , d. 1714 (Age 67 years) [Natural]
	6. Dudley Bradstreet, b. 1649, Andover, Essex County, Massachusetts , d. 1706, Andover, Essex County, Massachusetts (Age 57 years) [Natural]
	7. John Bradstreet, b. 22 Jul 1653, Andover, Essex County, Massachusetts , d. 17 Jan 1717, Topsfield, Essex County, Massachusetts (Age 63 years) [Natural]
	8. Hannah Bradstreet, b. 1638, d. Yes, date unknown [Natural]

Family ID F8016 Group Sheet | Family Chart

Event Map

	Born - 20 Mar 1612 - Northampton, Northhamptonshire, England
	Married - 1628 - Northampton, England
	Immigration - in the Winthrop Fleet - 1630 - Massachusetts Bay Colony
	Died - Cause: consumption or tuberculosis - 16 Sep 1672 - Andover, Essex County, Massachusetts
	Buried - - Old Burying Ground, Andover, Essex County, Massachusetts

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Notes

His wife, Anne Bradstreet, was America's first published poet.
Ann Dudley was considered the first poet of New England. Bradstreet, Anne Dudley 1612-1672 English-born colonial poet who wrote several collections of verse, including The Tenth Muse Lately Sprung Up in America (1650).

Bradstreet, Anne (Dudley), c.1612-1672, American poet; b. Northampton, England; came to MA with her father and husband, both later governors of the colony. The first important woman author in America, she is known for poems that, while derivative and formal, are often realistic and genuine Her volumes of verse include The Tenth Muse Lately Sprung Up in America (1650) and Several Poems (1678).

Occupation:

Anne Dudley Bradstreet

I am obnoxious to each carping tongue,
Who sayes, my hand a needle better fits,
A Poets Pen, all scorne, I should thus wrong;
For such despighte they cast on female wits:
If what I doe prove well, it wo'nt advance,
They'l say its stolen, or else, it was by chance. - Bradstreet

Anne Dudley Bradstreet was America's first poet. Born about 1612 in Northampton, England, Anne was the first daughter and second of the five children of Thomas Dudley and Dorothy (Yorke) Dudley, who was, by CottonMather's account, "a gentlewoman whose extraction and estate were considerable." Her parents' marriage record was found in the Parish Registerat Hardingstone, near Northampton, England: "Marriages Anno Dni 1606 -Thomas Dudley & Dorothy York married the 25th of April, 1603" (NEHGR 56:206 Notes and Queries).

Anne's childhood was spent in comparative luxury at Tattershall Castle in Sempringham, Lincolnshire, where her father was the chief steward of the vast estates of Theophilus Clinton, the Puritan Earl of Lincoln. Herupbringing was largely influenced by her father's position. She had private tutors, access to the Earl's library, the enouragement of a literate father who loved history, and a strict religious indoctrination.

Her young life was often interrupted by illness; she was bedridden withrheumatic fever and as an adolescent she almost died from smallpox. Shortly after recovering, Anne, aged 16, married Simon Bradstreet in 1628.Simon was a prot©bg©b of the Earl's, nine years her senior, the son ofa Nonconformist minister and a graduate of Emmanuel College, Cambridge. In 1630 Anne accompanied him and her parents to America. They were members of John Winthrop's party, the first settlers on MA Bay and they sailed on the flagship, Arbella. The party arrived "in June at the half-dying, famine-ridden frontier village of Salem, after a journey of 3 month of close quarter, raw nerves, sickness, hysteria and salt meats," wrote AnNE At first dismayed by the rude life of the settlement, she soon reconciled herself to it. "I changed my condition and was marryed, and came into this country, where I found a new world and new manners, atwhich my heart rose. But after I was convinced it was the way of God, Isubmitted to it and joined to the church at Boston."

Anne's father, Thomas Dudley became deputy governer of the MA Bay Company. He was a magistrate at the trial of Anne Hutchinson, the other, heretical, Anne, who threatened the foundations of the colony and "gloried" in her excommunication. Simon Bradstreet was an assistant and later twice governor of the colony. The official standing of her father and husband gave Anne a place of dignity and honor in the New World. After a brief residence in Cambridge, the family moved to Ipswich and after 1644to North Andover, her home for the remainder of her life.

It was a humiliation to this eighteen-year-old wife that she did not atonce become a mother. "It pleased God to keep me a long time without achild, which was a great grief to me." Her first son, Samuel, was bornatNewtowne (Cambridge) in 1633/4, just before moving to Ipswich, and he proved to be the first of eight children. The others were Dorothy, Sarah, Simon, Jr., Dudley, Hannah, John and Mercy.

Admidst her social obligations, Anne found time to write poetry. By herown admission, she began her verse-making almost accidentally. Her poems were written for her own satisfaction. As was customary of the time,her poems were circulated among family and friends in the new colony. She greatly admired the leading French calvinist poet Du Bartas and her early verse shows his influence upon her.

Anne's brother-in-law, the Rev. John Woodbridge, who had secured a manuscript copy comprised of fifteen poems, caused them to be printed in England under the title, The Tenth Muse Lately sprung up in America, Or Severall Poems, compiled with great variety of Wit and Learning, full ofdelight ... By a Gentlewoman in those parts. This appears to have occurred without her knowledge or consent. All of the poems in this collection were written before her thirtieth year, somewhere between 1630-1642,imitating Du Bartas. Her early work was conventional, dull, and easilyforgotten. No one of the long poems in The Tenth Muse would be read today by anyone save a literay historian. The often wooden lines and forced rhymes of her early poems reveal Bradstreet's grim determination toprove that she could write in the lofty style of the established male poets, but her deeper emotions are obviously not engaged in the projeCT

Seeing The Tenth Muse in print completely cured Anne of writing imitative poetry. In 1678 an American edition of The Tenth Muse appeared underthe new title Several Poems Compiled with great variety of Wit and Learning and included some of her later work, which became her chief claimto attention. The first satisfactory edition of her work was edited byJohn Harvey Ellis in 1867. It is clear that this edition contains the poet's own corrections, made because she was dissatisfied the The Tenth Muse. These later poems show that she had not only learned to see natureand human life directly, but also to look into her own heart and writewith the imagination vision of a poet. Much of her later work was rooted in her actual experience as a wife, as a mother, and a woman in seventeenth-century New England. It concerned her personal reflections, andthe warmth and frank humanity that pervaded them struck a welcome contrast to the Puritan stereotype.

As a Puritan woman of the seventeenth-century, Anne Bradstreet struggled to write poetry in a society that was hostile to imagination. Women were expected to behave deferentially and neither her education nor her privileged status as the child of one colonial governor and wife of another could protect her against the scorn and persecution visited upon women who stepped beyond their role in Puritan society. Anne often appears self-deprecating in order to appease the critical males, describing her work as lowly, meanly clad, poor, ragged, foolish, broken, and blemished.

In the Prologue of The Tenth Muse, Anne makes a very modest claim for the attention she and all women deserve:

Let Greeks be Greeks, and Women what they are,
Men have precedency, and still excell,
It is but vaine, unjustly to wage war,
Men can doe best, and Women know it well;
Preheminence in each, and all is yours,
Yet grant some small acknowledgement of ours.

In start contrast, however, is her bold declaration of female abilitiesin Happy Memory of Queen Elizabeth, the only poem in The Tenth Muse which is not apologetic, but which would have been dangerous had Anne proclaimed the worth of her own work in such a manner.

Who was so good, so just, so learn'd, so wise,
From all the Kings on earth she won the prize;
Nor say I more then duly is her due,
Millions will testifie that this is true.
She hath wip'd off th' aspersion of her Sex,
That woman wisdome lack to play the Rex.

Overall, the poetry of Anne Bradstreet is without a trace of romanticism or sentimentalism. Her art was not an escape from life, but an expression of it. She could express a tender sentiment without being sentimental. This appears best in her poem on the burning of her home at Andover in 1666 and her feelings as she passed the blackened ruins of the house.

When by the ruins oft I passed
My sorrowing eyes aside did cast,
And here and there the places spy
Where oft I say, and long did lie.

Here stood that trunk, and there that chest;
There lay the store I counted best;
My pleasant things in ashes lie,
And them behold no more shall I.
Under thy roof no guest shall sit,
Nor at thy table eat a bit.

No pleasant tale e'er be told,
Nor things recounted done of old.
No candle e'er shall shine in thee,
Nor bridegroom's voice e'er heard shall be.
In silence ever shalt thou lie;
Adieu, Adieu, all's vanity.

Anne's prose "Meditations Divine and Moral," written for her son Simon,were found after her death along with many unpublished poems written toher children. It is likely that other unpublished works were destroyedin the fire that consumed her North Andover home in 1666. Anne DudleyBradstreet died on September 16, 1672, in North Andover, MA of consumption or tuberculosis. No potrait survives and her burial place is not known. She may be buried in the old Burying Ground at North Andover or in her father's tomb at Roxbury, MA.

It is questionable if Anne Bradstreet influenced other poets, but many have paid homage to her. It has been said that Anne's genius was reincarnated in Emily Dickinson. Numbered among her illustrious descendants are Richard Henry Dana, William Ellery Channing, Wendell Phillips, and Oliver Wendell Holmes.

Sources

[S292] Genealogy of Neal Frank Carrier, Neal Frank Carrier, (Name: http://freepages.genealogy.rootsweb.ancestry.com/~carrier/ifamily/index.html;), http://freepages.genealogy.rootsweb.ancestry.com/~carrier/ifamily/HTMLFiles/HTMLFiles_03/Edmond_Ingalls_P2153.html (Reliability: 3).